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There is an organ against the left hand wall, in a richly carved and gilded 16th century case. The setting includes stucco work by Giacomo Perugino, involving reliefs of biblical scenes in the vault above. |
There is an organ against the left hand wall, in a richly carved and gilded 16th century case. The setting includes stucco work by Giacomo Perugino, involving reliefs of biblical scenes in the vault above. |
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− | The archway beyond the chapel is the end of the aisle, and opens out into the basilica's main transept. It contains two contrasting papal monuments. One is to Pope [[wikipedia:Pope_Gregory_XIII|Gregory XIII]], and is by [[wikipedia:Camillo_Rusconi|Camillo Rusconi]] 1723. Note the dragon, the emblem of the Buoncompagni family of the pope. The bas-relief commemorates the pope's inauguration of the [[wikipedia:Gregorian_calendar|Gregorian Calendar]] in 1582, and is by Carlo Francesco Mellone. The figure on the right is '' |
+ | The archway beyond the chapel is the end of the aisle, and opens out into the basilica's main transept. It contains two contrasting papal monuments. One is to Pope [[wikipedia:Pope_Gregory_XIII|Gregory XIII]], and is by [[wikipedia:Camillo_Rusconi|Camillo Rusconi]] 1723. Note the dragon, the emblem of the Buoncompagni family of the pope. The bas-relief commemorates the pope's inauguration of the [[wikipedia:Gregorian_calendar|Gregorian Calendar]] in 1582, and is by Carlo Francesco Mellone. The figure on the right is ''Valour'', dressed as if she were the goddess [[wikipedia:Minerva|Minerva]], and she is holding up a marble drapery to reveal the bas-relief. The figure on the left is ''Religion''. |
The other memorial is a restrained one to Pope [[wikipedia:Pope_Gregory_XIV|Gregory XIV]], who died in 1591 ten months after his coronation. |
The other memorial is a restrained one to Pope [[wikipedia:Pope_Gregory_XIV|Gregory XIV]], who died in 1591 ten months after his coronation. |